American Imago

• Freud's Shylock

  David Hillman

  pp. 1-50

• Vestiges, Dream Images, and Immaculate Sexuality

  Céline Masson

  pp. 51-68

• In Search of Lost Time in Psychological Space

  Fred L. Griffin

  pp. 69-106

• Being without Pleasurable Memories: On the Predicament of the Shoah's Child Survivors in Norman Manea's “Proust's Tea” and Kindred Narratives

  Dana Mihâilescu

  pp. 107-124

• Contributors

  pp. 125-126

2012 Corst Essay Prize in Psychoanalysis and Culture

• Angel with a Missing Wing: Loss, Restitution, and the Embodied Self in the Photography of Josef Sudek

  Adele Tutter

  pp. 127-190

Articles

• Cinema and Psychoanalysis: Across the Dispositifs

  Lucilla Albano

  pp. 191-224

• Observe All: On the Staging of Fundamental Fantasy, Jouissance, and Gaze in Stanley Kubrick's A Clockwork Orange

  Wim Matthys

  pp. 225-247

• Deaths of Nobodies: Fantasmatic Fascination in Cultural Products and Intellectual Discourses

  Dorit Szykierski

  pp. 249-269

• The Italian Turn: A Certain Tendency in Contemporary Psychoanalytic Aesthetics

  MAURO RESMINI

  pp. 271-297

• Contributors

  pp. 299-300

Article

• Introduction: When Matter Speaks

  Louis Rose

  pp. 301-313

• Two Modernist Approaches to Linking Art and Science

  Eric R. Kandel

  pp. 315-340

• Unlearning and Learning Psychoanalysis

  Anton O. Kris

  pp. 341-355

• The Painter's Eye: Paul-Henri Bourguignon's Haitian Photographs

  Erika Bourguignon

  pp. 357-383

• The Gaze of the Blind: Notes on Cézanne and Cubism

  Sergio Benvenuto

  pp. 385-406

• Brecht and the Gorgon's Head

  Alexander Stillmark

  pp. 407-413

• Dust to Dust: The Figure-Ground Problem of Readymade Realism in Film

  John E. Davidson

  pp. 415-444

• Only Stories Matter: The Psychology and Neurobiology of Story

  Richard Brockman

  pp. 445-460

• Savage Science: Primitives, War Neurotics, and Freud's Uncanny Method

  John Zilcosky

  pp. 461-486

• Barthes, the Neutral, and Our Neutrality

  Henry P. Schwartz

  pp. 487-513

• Mondrian's Search for Geometric Purity: Creativity and Fixation

  Bennett Simon

  pp. 515-555

• Contributors

  pp. 557-561

• L'effet c'est toi: Projective Identification from Nietzsche to Klein

  Jared Russell

  pp. 563-583

• “The Skin She Lives In”: The Skin Ego in the Sculpture of Ursula von Rydingsvard

  Vera J. Camden

  pp. 585-606

• “Now We're Out of Time”: Thoughts on Endings in Poetry and Psychoanalysis

  Alice A. Jones

  pp. 607-632

• Isabel Archer's “Delicious Pain”: Charting Lacanian Desire in The Portrait of a Lady

  Phyllis Van Slyck

  pp. 633-661

• Neurotic Being and Erotic Time: Philosophic Reflections on Hans Loewald's Contributions to Psychoanalysis

  Teresa Fenichel

  pp. 663-698

• Contributors

  pp. 711-712

Film Review Essay

• Re-configuring Oedipal Scenes: Loss, Retrieval, and Deathly Visitation in Peter Sasdy's Hands of the Ripper and Tom McLoughlin's The Unsaid

  Panayiota Chrysochou

  pp. 699-709