Couple and Family Psychoanalysis

Articles

• “How to Cure Family Disturbance”: Enid Balint and the Creation of Couple Psychoanalysis: Twenty-First Enid Balint Memorial Lecture 2016

  Brett Kahr

  pp. 1-25

• Response to “How to Cure Family Disturbance”: Enid Balint and the Creation of Couple Psychoanalysis: The Twenty-First Enid Balint Memorial Lecture, 2016, given by Professor Brett Kahr; Lily Pincus, Martin Buber, and Projective Identification

  Viveka Nyberg

  pp. 26-31

• The Confinement of Compromise Formations: A Formable Aspect of Psychoanalytic Couple Therapy

  Robert Waska

  pp. 32-44

• When the Couple is not Enough, or When the Couple is Too Much: Exploring the Meaning and Management of Open Relationships

  Damian McCann

  pp. 45-58

• Echoes of the Serial Murder of the Psyche: A Psychoanalytic Approach to Serial Marriage

  Hejan Epözdemir

  pp. 59-80

• Brief Intervention with a Chinese Couple: Commentary

  Catriona Wrottesley

  pp. 102-112

• Reply to Catriona Wrottesley's Commentary

  David E. Scharff

  pp. 113-116

• The Caretaker by Harold Pinter, directed by Matthew Warchus at the Old Vic, London, April, 2016

  Steve Isaacs

  pp. 139-141

• Notes on Contributors

  pp. 142-144

• Editorial: Pausing for Reflection Amidst Turbulence

  Molly Ludlam

  pp. vii-viii

Clinical Narrative and Discussion

• Brief Intervention with a Chinese Couple

  David E. Scharff

  pp. 81-101

Occasional Review

• “Discussion: Mothers and fathers of invention: developing new family narratives” by Laura Kleinerman, Journal of Infant, Child & Adolescent Psychotherapy, 6: 156-161, 2007.

  Polly Casey

  pp. 117-122

Book Review

• Karl Abraham: Life and Work, a Biography, by Anna Bentinck van Schoonheten, Karnac, 2016.

  John Nuttall

  pp. 123-127

Dramatic Criticism

• Animal by Clare Lizzimore, directed by Gaye Taylor Upchurch, World Premiere at Studio Theatre, Washington, DC, 30 September, 2015.

  Jill Savege Scharff

  pp. 128-136

Arts Reviews

• After Love (L'Economie du Couple), directed and co-written by Joachim Lafosse, produced by Arlette Zylberberg, Philippe Logie, and Antonio Lombardo, 2016.

  Susan Pacey

  pp. 137-139

Obituary

• Dr Charles C Enfield (1927-2016)

  Timothy Keogh

  pp. 145-147

Articles

• “Somewhere (There’s a Place for Us) …”: A Cross-Cultural Approach to Psychoanalytic Psychotherapy with Cross-Cultural Couples

  Perrine Moran

  pp. 153-167

• The Role of Interpretation in the Assessment Phase of Couple Psychoanalysis

  Timothy Keogh & Cynthia Gregory-Roberts

  pp. 168-180

• Response to The Role of Interpretation in the Assessment Phase of Couple Psychoanalysis by Timothy Keogh and Cynthia Gregory-Roberts

  Damian McCann

  pp. 181-184

• Response to The Role of Interpretation in the Assessment Phase of Couple Psychoanalysis by Timothy Keogh and Cynthia Gregory-Roberts

  Alicia Leisse de Lustgarten

  pp. 185-187

• Does Oedipus Never Die? The Grandparental Couple Grapple with “Oedipus”

  Catriona Wrottesley

  pp. 188-207

• Fear of Break-up, Fear of Breakdown: Why Some Can Come to Psychoanalysis Only as a Partner in a Couple

  Klaus Wiedermann

  pp. 208-224

• Handbook of Emotions (Fourth Edition), edited by Lisa Feldman Barrett, Michael Lewis, and Jeanette M. Haviland-Jones, Guilford Press, 2016

  Christopher Clulow

  pp. 229-230

• From Ultrasound to Army: The Unconscious Trajectories of Masculinity in Israel, by Hanni Mann-Shalvi, Karnac, 2016

  Mónica Vorchheimer

  pp. 231-233

• Who’s Afraid of Virginia Woolf, by Edward Albee, directed by James Macdonald, A National Theatre Live production, May 2017

  Christopher Clulow

  pp. 237-239

• Consent by Nina Raine, directed by Roger Michell, a National Theatre production at the Dorfman Theatre, London, 28 March-17 May, 2017

  Marian O’Connor

  pp. 239-240

• The SPRING Project

  Vivian Eskin & Elizabeth Fritsch

  pp. 245-247

• Notes on Contributors

  pp. 248-252

• Editorial

  Molly Ludlam

  pp. vii-ix

Book Reviews

• Lectures on Technique by Melanie Klein, edited with critical review by John Steiner, Taylor & Francis, 2017

  Francis Grier

  pp. 225-228

Arts Reviews

• Manchester by the Sea, directed by Kenneth Lonergan, 2016

  Kate Thompson

  pp. 234-237

Poem

• A Mind of its Own

  Robert Monzo

  pp. 241

Reports

• Report on the International Congress on Couple and Family Psychoanalysis, “Interpretation in Family and Couple Psychoanalysis” Held in Madrid, 23-26 February, 2017

  Jill Savege Scharff

  pp. 242-245