I The Annual Prize Paper: The Psychoanalyst as Clinician
II Gedo Symposium Papers
- pp. 25-46
Obsessiveness in Context
David A. Freedman - pp. 47-57
On Seeing Stars, Halos, and Other Illuminations: Some Speculations about Vincent van Gogh
M. Robert Gardner - pp. 59-81
The Self-Portrait as Covert Message: The van Gogh–Gauguin Exchange
Mary M. Gedo - pp. 83-101
Recalled Dreams as a Stimulus for Self-Analysis
Meyer S. Gunther - pp. 103-125
Modes and Functions of Sublimation
John P. Muller - pp. 127-141
Analyzability Redux: From “Analyzable” to “Preparable for Analysis”
Arnold Wilson - pp. 143-172
Alberto Giacometti's Woman with Her Throat Cut: Multiple Meanings and Methodology
Laurie Wilson - pp. 195-200
Response to Kenneth Newman's “The Usable Analyst”
Michael Hoit - pp. 201-217
The Child Psychoanalyst as Clinician: The Perils of Parental Projection
Mary Jane Otte - pp. 219-241
A Comparison of a Failed Supervision and a Successful Supervision of the Same Psychoanalytic Case
Bhaskar Sripada - pp. 259-267
Form and Content in van Gogh's Crows over the Wheat Field
Stanley M. Friedman - pp. 269-294
Love and Sexuality in the Life and Art of Vincent van Gogh
W. W. Meissner - pp. 295-313
Psychoanalysis as a Dramatic Art
Eric J. Nuetzel - pp. 315-330
From Film as Case Study to Film as Myth: Psychoanalytic Perspectives on the Analysis of Cinema and Culture1
Lúcia Villela - pp. 361-370
Literature, Psychoanalysis, and Gender
Françoise Meltzer